The Story Behind This Extraordinary Photo Of A Snow Monkey Using An iPhone

Whether you discover it eerie or amusing– this stunning picture of a Japanese snow monkey using an iPhone captures simply just how much they resemble us people. In this 500px ISO special, we asked nature photographer to share the complete story behind his amazing shot and technique.

Continue reading, and prepare to be wowed!

“I am a professional nature professional photographer from The Netherlands who runs photography trips to destinations worldwide. Among the locations that my other half and I visit every year is Japan. We go there in the winter to photograph cranes, eagles, swans, and the famous Japanese macaques– likewise known as snow monkeys. Several years back, we spent a week in the natural hot springs at Jigokudani to picture the snow monkeys. We were the only ones there.”

Location: Jigokudani, Japan
Shooting data: Nikon D800, AF-S 70-200/2.8 VR II, 1/250 @ f/7.1, ISO 800, portable

“Prior to I go on a journey, I study on what images have currently been shot of my subject. This is essential because it reveals me what the possibilities are, and it reveals me what has actually currently been done– I do not desire to copy other photographers. In my research, I noticed that a lot of photos of snow monkeys had been taken with on-camera fill flash, which I don’t like due to the fact that it makes the subject appearance flat. I likewise discovered that most snow monkey pictures looked the same because there are no additional compositional components you can utilize, apart from the monkeys and the warm spring. In order to create a series of snow monkey images that was different from what already existed, I chose to work with off-camera flash, knowing that it would give me a lot of innovative lighting possibilities and overall control over the appearance of the image. Some of those images won me the International Nature Photographer of the Year title at the International Photography Awards.”

“This is a long introduction that appears to have absolutely nothing to do with this image, but it does. I am always trying to develop something various from what’s already been done, and this is an example of how I handled to pull that off. As soon as I had actually accomplished my goal, I was back to square one.”

“The minutes that followed were downright funny. Monkeys currently resemble people in so numerous ways, but when they’re holding an iPhone, the resemblances are almost scary. At some time, it even handled to let the integrated flash of the iPhone go off. When the macaque decided to do some major undersea screening, the owner of the phone almost fainted. I was totally aware that this would result in some of the most original snow monkey shots ever.”

“The moral of both these stories: there are various ways to produce initial images. In the very first case, I pre-visualized the images and strove to get the appearance that I wanted. In the 2nd case, I just took place to be at the best spot at the right time. For me, this is likewise one of the excellent aspects of wildlife photography– you never understand what’s going to happen.”

Marsel’s snow monkey and iPhone photo is nominated for an Individuals’s Choice Award. You can vote for it here.

Want to be familiar with Marsel van Oosten much better? Keep reading for an unique interview where he shares his experiences and skilled suggestions.

Hello there Marsel! How did you get going with wildlife and nature photography?
I like animals and being in nature. Having worked as an advertising art director for 15 years, I’ve invested substantial time developing a world of make-believe. From an innovative viewpoint, that was great fun, but all of it felt unimportant in the end. Throughout my advertisement career, I’ve worked with lots of professional photographers. Seeing them taught me a lot about photography and the power of imagery. Photography just started as a hobby for me, however quickly I recognized that the quality of my images was way listed below the professional level that I expected to get from the photographers I worked with. I began to get more serious because I desired my photographs to endure my own review.

What are your favorite topics to shoot?
For landscapes, I choose graphic scenes with effective shapes and lines. Having gone to art school with a BA in graphic style and advertising has greatly affected my photographic design– tidy, graphic, easy and to the point. For wildlife, I prefer large mammals such as tigers, leopards, and elephants. The bigger your subject, the less focal length you need, so the more landscape you can show. A magazine as soon as called me a wildlife photographer who believes like a landscape professional photographer. They’re probably right– my favorite images are landscape shots that feature wildlife in it.

What are some of the challenges you’ve experienced out in the wild?
The most significant difficulties are constantly the creative ones– how do I create something that is various from what’s already out there? In nature photography, this is hard since you have little or no influence on your subject or the conditions. Due to the fact that of our picture trips, we visit certain places several times– often two or three in a year. To return from those locations with initial images is truly challenging. For instance, we were the first business to run landscape and night photography workshops in Namibia. We’ve existed a kazillion times. If I see a picture of the dead trees in Deadvlei, I can reveal you exactly on Google Earth which trees they are– it’s ill. I have photographed them all– from all angles, at all focal lengths, in all conditions. I have yet to see a structure from that location that I have actually not shot currently myself. But the reality that it has become so tough to shoot something original there, is likewise what I like about it. It presses me more difficult to surpass the apparent, and that’s when the really fantastic ideas come. My acclaimed shot “Resurrection” is a direct result of that struggle.

To search more of Marsel’s breathtaking images,. To find out more on his trips and workshops, visit Squiver.

Got any questions for Marsel, or your own tips and stories about photographing Japanese snow monkeys? Share them with us listed below!

This content was originally published here.

Leave a Reply

Your email address will not be published. Required fields are marked *